I'm having a break from all the recent firings to mix glazes and so forth and generally take stock. One or two beauties resulted from the last batch of Raku copper mattes- the best of the bunch being below. As always I am conscious of getting the kiln temperature just right- somewhere for me between 1040 and 1060- lets say 1050 degrees c then! The reduction always seems to work better then, although it is true you get gold/pinks at lower temperatures....it is more risky and elusive. Anyway can't wait to finish off this batch of firings. I hope to have a try out with some saggar and terr sig ...
I have just had in one or two orders and enquiries concerning Raku tiles. Making them can drive you to despair- what with their tendancy to warp, crack and shrink! It's amazing how something so simple is in actual fact so hard to make. It's also very difficult to lift a flat object out of the kiln with tongs from a red hot kiln. Well, with some prior experience, I've developed a firing system for tiles now which is now working pretty well. Quite simply, I lay each tile on a flat bed of ceramic fibre. That way each tile is raised slightly off the kiln shelf- and it's then easy to grasp the tile with tongs and drop into your reduction chamber/smoking bin. I stack two or three kiln shelves and can pack in about 20 tiles in one batch - depending on size. I do let the kiln cool slightly before carefully removing each shelf of tiles. I back off the gas- get each shelf of tiles out- then power back up to temperature and repeat till they're all safely ...
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