Making them can drive you to despair- what with their tendancy to warp, crack and shrink! It's amazing how something so simple is in actual fact so hard to make. It's also very difficult to lift a flat object out of the kiln with tongs from a red hot kiln. Well, with some prior experience, I've developed a firing system for tiles now which is now working pretty well. Quite simply, I lay each tile on a flat bed of ceramic fibre. That way each tile is raised slightly off the kiln shelf- and it's then easy to grasp the tile with tongs and drop into your reduction chamber/smoking bin.
I stack two or three kiln shelves and can pack in about 20 tiles in one batch - depending on size. I do let the kiln cool slightly before carefully removing each shelf of tiles. I back off the gas- get each shelf of tiles out- then power back up to temperature and repeat till they're all safely out of the kiln. I take the temperature up to 1020 degrees c. This is slightly hot for Raku but gives you a better chance of the shiny copper penny finish, with a high alkaline raku glaze. It also seems to deliver a more durable and lasting surface.
Technique, skill, artistry, plain hard work ... Beautiful results! They look really lovely Shaun. Curious to know where they'll be mounted ... Vertical or horizontal surface?
ReplyDeleteThese are bound for a vertical space I think!
ReplyDeleteLots of good information in your posting, This post is great. It is very impressive and it is a very nice blog. Thanks a lot for sharing this .
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