I have switched to using copper carbonate instead of more expensive copper oxide in my glazes. With heavy reduction I seem to be developing more gold tones. One of the "Sentinels" has a lovely patch of gold. Unfortunately it has picked up a slight firing crack ...now to fill with gold lustre or not? That is the question...shall I just say "sod it!" for once and go the full Raku?
My connection to Mo was as a student at Middlesex University in the dog days of the ceramics course during the 90's. He was my personal tutor for four years. Diminutive of stature and blinking in the funny way he did, we all came to love him as a tutor. Middlesex then, had a reputation for slip casting and mold making, and I was awful at both! Instead I had more of an interest in sculpture rather than functional tableware. Mo seemed to take an interest in my progress. He was very perceptive of individual students' abilities and offered guidance without ever dominating the discussion. He could be critical of course, but in such a way that was constructive and not "dead ended." At times he played down his reputation ,when we first year students twigged what a great artist he really was. He simply claimed that he was a big fish in a small pond unlike his heroes - Giacometti or Modigliani. Modestly he said his income nearly all came from teachi...



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