You may remember my last disastrous attempt at building a Raku box type kiln. Suffice to say it didn't work- and the temperature stacked at 800 degrees c. This time I've recycled the fibre and mesh and reverted to the tried and trusted barrel type kiln- and dug out my old raku kiln given to me by a fellow potter. Essentially I've made a top hat to fit on the kiln base- and I am firing tommorow to check it reaches temperature.. It better bloody had I am doing a Raku firing demo on Saturday as part of the Braintree Arts Festival in Essex. I'll be stuffed if it doesn't work!
My connection to Mo was as a student at Middlesex University in the dog days of the ceramics course during the 90's. He was my personal tutor for four years. Diminutive of stature and blinking in the funny way he did, we all came to love him as a tutor. Middlesex then, had a reputation for slip casting and mold making, and I was awful at both! Instead I had more of an interest in sculpture rather than functional tableware. Mo seemed to take an interest in my progress. He was very perceptive of individual students' abilities and offered guidance without ever dominating the discussion. He could be critical of course, but in such a way that was constructive and not "dead ended." At times he played down his reputation ,when we first year students twigged what a great artist he really was. He simply claimed that he was a big fish in a small pond unlike his heroes - Giacometti or Modigliani. Modestly he said his income nearly all came from teachi...




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