Book No 2....published in Oman

A very nice surprise indeed at the weekend. I was contacted by Dr Badar Al Malmari from Oman to confirm that he'd just published his book- "Ceramic Glaze". I'm in the section on Raku. (There's my "Nuclear Jug" in copper matte at the bottom of the page.)

I believe this to be the first book on the subject to be published in the Middle East. I'll let you know when I receive my copy although I doubt I will be able to translate it!

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Some more Crater glaze test results

I've been blathering on about Crater and Lava Glaze recipes here and on Facebook too. I suddenly "got the bug" as well as a commission- (more on this later) so hence the rather manic activity testing out glazes and destroying kiln shelves in the process with runny, bubbling glazes.

I tested 2 recipes- after first trying the usual recipes from the internet and in various books. As I suspected - few of them gave satisfactory results- either it was "pilot error" or the glaze authors just happen to neglect to tell you that vital missing ingredient, kiln temperature or soak time etc! (Know the type of thing?)

Anyway I resorted to testing 2 standard glaze recipes which I've had for years. A turquoise matte and a Lucy Rie white stoneware. The jury is still out on the turquoise variant- but the white is rather nice. A little suggestion from Potter Jan Lewin Cadogan http://www.janlewin-cadogancontemporaryceramics.co.uk/
put me right by suggesting to mix the glaze …

New work at Online Galleries part 1

Lots of new work is now up and online at #Artintheheart. This is a great site founded by Dawn Birch James, and has an eclectic mix of British arts and crafts. She's looking for new talent and especially Potters!

Have a look at my store for decorative Chawans and bowls.

https://www.artintheheart.co.uk/marketplace/store/raku-ceramics-by-shaun-hall/

Wobbly bowls

18 years a "potter" and only now can I really say that I can make a great,wobbly rimmed tea bowl!
They're rather fun to do and are achieved by pinching up clay between thumb and forefinger on three sides, then throwing on and using the edge of a rib to incise patterns in the wet clay. Turning is a bit of a bugger afterwards, but they're getting there...

Shaun Hall's Raku Ceramics Blogspot

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